As early as 2500 BC, the technology of metalworking was highly developed, as can be seen from the use of bronze in the casting of beautiful and technically admirable figures. History also tells us that surrounding countries turned to India for fine metal casting. There are 11th century records of old copper and bronze vessels being exported to India through Aden to be recast in India. It is highly probable that during 16th and 17 century, much of Iranian metalware was actually made in Punjab, in India.

Bronzework follows a tradition of useful, decorative and spiritually rich creativity. Apart from being a metal used to create varied objects of daily use, as coins for trade,as well as arts, they were also extensively used to create sculptures of Indian Gods and Goddesses.

The casting methods usually employed are that of lost-wax casting. Creation of bronze sculptures of Hindu Gods and Goddesses is regarded as a highly specialized and spiritual activity which strictly follows the guidelines laid down by the Hindu scriptures, especially the Shilpa Shastra. In south India, mostly the Sthapathy community carries out this work.

One of the key bronze figurettes at the IHE is that of Nataraja, many forms of which are displayed there. Many other figurettes of Gods and Goddesses are also on display at the IHE premises. Various tribes of India extensively use brass for creating various artifacts. Key amongst them, also in display at the IHE, are the Dhokra Castings, which stand out amongst all other casting techniques for their uniqueness in form, as well as, surface textures.

Other bronze displays at  the IHE include human figures and various animals, with elephants standing out most prominently. The elephant, a symbol of good luck and power, has a strong linkage with the Indian tradition. Ganesha, the elephant headed God, is the God of good luck whom the Hindus worship before starting any major activity or event.